Sattva 40 Clay Johnson She extracted all but the

She extracted all but the ladder structure from the photo

aesthetics

in France in Dec 18

1964) invites viewers to embrace the significance of silence

seeking not only the perfect hue but also the perfect level of translucency

Sattva 40 Clay Johnson She extracted all but theAdams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotype and collage. Her background in music is what most inspires Tracey Adams. Her works draw heavily on musical structure, rhythm and composition. Her color choices speak to her personal surroundings living on a peninsula near Monterrey in central California. The light off of the water, the muting capacity of the fog, the colors of the setting